![]() Early on, Alex Heffes’ whimsical score delights alongside footage of creatures found “a toenail height” to the elephants, including a particularly frightened frog whose pond the herd start stomping around in. Unsure whether it wants to be more Planet Earth or pure Disney fare, The Elephant Queen’s message is mixed as it chronicles Athena’s long journey. Like any nature doc worth its salt, the film is a gorgeous visual journey through what have come to be perilous times for the world’s charismatic megafauna, something never made explicit in the script narrated by a staid Chiwetel Ejiofor. Through a rhythm which may feel inaccessible to more casual listeners, Haynes nonetheless effectively reckons with the moment that the band entered the world and the moment that they vacated.- Brianna Ziglerįilmed over the course of four years, The Elephant Queen follows revered matriarch Athena and the herd she shepherds across the unforgiving terrain in search of food and water. He never spends too much time in the past that led to their artistic zenith or the legacy that it would leave behind, or even allows much space for true linear comprehension of the band at all. In this respect, Haynes (who may be new to documentary but, with Velvet Goldmine and I’m Not There, is no stranger to music movies) aptly paints a portrait of The Velvet Underground, albeit not with people unfamiliar with the band in mind. Lou Reed and his ragtag team of black-clad counterculture musicians were a single thread within the vast, wide-spanning fabric of 1960s New York City, rubbing shoulders with artists, writers and musicians, and leaving a mark that would see their influence last long after the band’s members had already parted ways. It’s true that the avant-garde artists Haynes details in his first doc were more a single moment in time that rippled outward, a doomed endeavor not meant to last in the most immediately tangible way. “ had entropy within it,” one of the many talking heads featured in Todd Haynes’ documentary reflects, chewing on the ultimate fate of the band at the center of it all towards the end of The Velvet Underground. You can also find our ranking of the best Apple TV+ original series. ![]() ![]() Here’re our ranked picks for the best ten movies on Apple TV+ right now. It recently snagged a few critical darlings like CODA and The Velvet Underground. As long as it keeps adding good movies to its roster, that is. With films from up-and-comers like Minhal Baig, arthouse favorites like Sofia Coppola and Werner Herzog, some A-list music docs and one of the best animated movies of the 2020s, Apple TV+ is actually making the case that it belongs in the conversation alongside the more established services. It also helps that it’s only $4.99 a month, or free for a year if you’ve just purchased a new (and eligible) device. Apple is clearly taking a “quality over quantity” approach, with its money spread across genres and targeted at making its subscribers (many roped in with a deal that came with one of the company’s tech products) treat it like a real contender. Apple TV+ is one of the strangest streamers out there, with almost no licensed TV or film content and a small number of originals.
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